1. De Vere Enlarger

Find great deals on eBay for de vere enlarger and 8x10 enlarger. Shop with confidence. Find great deals on eBay for de vere enlargers and de vere. Shop with confidence.

Digital in the Darkroom Photograhpic paper a low-cost media that is generally accepted to produce best quality results. The DE VERE 504DS creates a “virtual negative” of your digital files which can be projected, sized and exposed onto photographic paper and then processed in the normal way – just like a real negative! The DE VERE 504DS chassis allows printing in all sizes up to 20x24 inches (50cm x 60cm). However the degree of enlargement possible depends on the resolution of the input file. The DE VERE 504DS operating system is extremely simple to use, allowing image adjustments to be made before printing. Orders can be entered and stored ready to be printed when required and the system can be controlled either within the darkroom or remotely via an additional workstation.

The versatility of being able to easily and effortlessly print different sizes one after another, offers cost-effective digital flexibility not previously available. DigiLite Tungsten Light Source The DigiLite head uses a standard 24 volt 250 watt lamp and is operated via a shutter to give constant light over a long period of time. Specifically formulated RGB filters are operated by a new express action buffer control for maximum speed output. The filtered efficient light box transmits the filtered light through the LCD in exact combination with the three emulsion layers. The DigiLite is fixed and only uses one light box for all magnifications to give the greatest consistency. A switchable constant voltage power supply is included as part of rolex replica the system. LED Light Source The LED light source uses the latest LED technology to give fast exposure times for both colour and black & white.

The Unit is compact, silent and totally vibration-free. How to pull up sew what pro 64 downloads. LCD Digital Negative Panel Incorporating the patented spread-optic for absolute evenness, the 17 megapixel LCD panel produces red, green and blue layered images to build the fullest exposure via the DE VERE 504DS software operating software. This works in conjunction with the LED or DigiLite head to give the correct exposing light. The panel gives an average of 300 dpi printing resolution, is maintenance-free and extremely long lasting.

Workstation The workstation is built around a powerful Windows XP computer thar runs the DE VERE 504DS operating software. Images can be entered via many different means, i.e. Film scanner, CD, Flash card, networking, etc. Images can be sorted in an order queue, adjusted as required ready for printing. The image to be printed is then downloaded, the exposure entered and printed via the exposure control of the enlarger. The machine can be networked with other work stations outside the darkroom. Software DE VERE 504DS operating software specifically designed for operating the enlarger system to give simplified operation and ease of use.

Darkroom Control Neat switching unit on flexible lead for easy location in the darkroom. Contains switches for focusing light, exposure and monitor. This controls all functions of the enlarger, once the image has been downloaded. Black & White The enlarger when fitted with the DigiLite tungsten head is ideally suited for producing black & white prints as normal enlarging light is used. All standard black & white materials such as Multigrade, fibre etc.

Can be exposed as normal. The enlarging system gives infinite control of grading and contrast as never before. Roll Easel Roll easels can be linked into the system that gives serial printing of single and multiple images.

Once the system is set for exposure, it operates automatically. Low Maintenance Maintenance and service costs are minimal with the DE VERE 504DS solution.

Just as an intro I am starting to get into film photography after a long absence. A beginner beginning again. Bought myself a MF camera and in the process (forgive the pun) of developing my own negatives.

Not sure at the moment whether to go down the route of scanning the negatives and using a printer; or go back to a traditional wet room? I need to find out more of what is still involved.

If I want to print my negatives I will need an enlarger and I believe the devere enlargers are among the best, in terms of producing good quality prints and also in build quality. I want eventually to go onto LF so perhaps need a 504? Can anyone give me advice on the different devere models and am I going down the right road? Thanks for all your help. I am looking on ebay for a DeVere, though it was mentioned that a Durst can be equally good. When you start looking into the type of emlarger to go for, the Devere always comes out at the top. From what I have read, the 504 will meet most, if not all, printing needs.

De Vere Enlarger

The smaller 203 also seems good, and again appears will meet most printing needs. Pricing for secondhand is not an issue as I have seen 203 selling higher than a similar 504; when you would expect it to be the other way round.

Is it better to have a free-standing model or a bench model (if size is not imnportant)for printing? I guess I am just going to have to take the plunge when one comes along, and just buy it, then try it out! Not sure if anyone is still interested, but for what its worth I used a DeVere 504 with cold cathode head for 25 years from 1977, almost exclusively for 5x4 but sometimes for 6x6 and 35mm. It was (still is) a wonderful enlarger, built like a battleship, very high precision and absolutely reliable. The advantages of cold cathode head: diffuse light minimises negative dust, scratches or defects; it prints softer that collimated head (which artificially increases contrast); and cold source prevents negative distortion through heat expansion. Possible disadvantages: B&W only and won't work with multigrade paper, due to noncontinuous spectrum of cold light source. Because the light window is 5x4, exposure times are longer for smaller neg formats.

Can be annoying on 35mm but no problem on 6x6 though. You may have already found a DeVere but here's a few pointers - I've been using them for 20 years. The 405 will allow up to 4x5 negs using a couple of different light sources. The light source will most often be a colour head with adjustable dials for amounts of Cyan, Magenta, Yellow; the colours are transmitted through opalescent perpex and is a reasonable choice for printing traditional BW paper. The other choice for BW is a condensor head that uses an opalesceent bulb together with condensor lenses: big blocks of glass that are hard to find and expensive so don't drop them. Good points is they are very sharp but downside is they will show up every blemish and grain of dust you really didn't want.

Other choices are Multigrade Head - becoming so rare you shouldn't even bother looking for one. The microchips were one-offs and when they go bang that's the end of your system. Finally Cold Cathode heads. I only ever used one at college and they seemed the work of the devil.

I know some people use them but some people swear by hairshirts and enemas - it's up to you! Things that can go wrong with DeVere's 1. The counterweight spring breaks - replacement are hopefully available from Odyssey Sales for an extortionate amount but you're stuffed without one.

Cable breaks - you may well get a bicycle repair shop to make one or go to Odyssey That's about all that goes wrong. I've not used a 203 but I'm sure they are well made, just restricts you to. 35mm/120 film I think?? Durst enlarger are OK if they have been looked after (not kicked around) They have lots of plastic in their construction and in use feel like driving a Fiat Uno compared to a VW Golf.